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Back to B​.​C.

from Temple Moon Desire by Matthew Heller

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lyrics

All my friends will be missed a bit,
If they ever even existed, to begin with.
And all the ones she has kissed,
Will be the first,
To dismiss her, in the end.

And why do I still love you?
Back to BC, suicide machine.
Back to BC, suicide machine.

Table it comes, on top.
But the legs are just basses that can not be held without help
And if you go outside,
They will see, what you are really like.

And why do I still love you?
Back to BC, suicide machine.
Back to BC, suicide machine.

Information underneath
The protection of disbelief.
What they think is, nothings free.
The judge is blind and he cannot see,
He cannot see anything.

But why do I still love you?
Back to BC, suicide machine.
Back to BC, suicide machine ...machine.

credits

from Temple Moon Desire, released October 25, 2019
Written by Matthew Heller.
Produced, recorded, mixed by David Pollock.

Matthew Heller - vocals, piano, guitar, keyboards

David Pollock - drums, guitar, keyboards, percussion, backing vocals

Anthony Meade - horn composition, trombone
Cory Palacios - trumpet
Alex Misar - saxophone
Ian Christensen - saxophone
Douglas Detrick - trumpet

Luke Ydstie - bass
Ian Millhollen - bass

Lily Breshears - vocals, backing vocal composition
Jeff Evans - backing vocals

Assistant Engineer at Sonic Ranch: Mario Ramirez.

Recorded at Fortress Galaxy in Portland, OR, and Sonic Ranch in Tornillo, TX.

Mastered by Timothy Stollenwerk at Stereophonic Mastering, Portland OR.
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Temple Moon Desire album & single artwork by: Jodie Beechem
Cover T-shirt artwork by: Shannon Kidd
Matthew Heller photo by: Jov Luke Photography
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Heller High Water Records

license

all rights reserved

tags

about

Matthew Heller Portland, Oregon

Meet Matthew Heller, the Portland-based troubadour who fearlessly confronts the harsh realities of life in his music.
His latest single, "Goodbye & So Long," is a driving force of evocative storytelling, taking listeners through a kaleidoscope of sounds, emotions, and textures. .
... more

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